On another call
online doctor prescription hydrocodone Mission accomplished, and with the sequel, the gloves come off. “The Hunger Games: Catching Fire” is a muscular, engrossing, unexpectedly bleak epic of oppression and insurrection, directed with dramatic urgency and a skilled eye by Francis Lawrence (“Constantine,” “I Am Legend”). Set in the fascist future state of Panem, the movie takes pains to show its young mass audience what living under a totalitarian dictatorship might look and feel like. But the sharpest aspects of “Catching Fire” — the parts that sting — play as an allegory for today. Very few people will take in this spectacle of a society amusing itself to death, of “reality games” and the vapid media hysteria that surrounds them, and not draw a parallel to our own televised bread and circuses. At its best, “Catching Fire” is a blockbuster that bites the culture that made it.